the image of goddess in narration of bahram beizaei

bahram beizaie has a special attention to iran’s honorable old ages. he chooses one feature of the golden age “matriarchy” period and shows that in some of his plays. the purpose of this research is to talk about the dependence of heroines and iranian goddess, and to analyze this dependence in some of beyzaeis’ works. plays and screenplays that are considered in this study include: “saljuk istgah”, “parde nei”, “parde khane”, shabe 1001(1)”, shabe 1001(3)” and “fath name kalat”. the research is descriptive - analytical, so that at first, beyzaeis models in merging heroines and goddess would be specified and then his works would be analyzed based on this idea. conclusions show that beyzaei uses the goddess of “kindness”, “birth”, “love”, “courage” and the most important one the goddess of “wisdom” to create his heroines. according to these analyzed works, wise goddess that one of the instances is goddess “chista” has the most presence in beizaeis works even more than “anahita”.